American Icon: Fitzgerald's the Great Gatsby in Critical and by Robert Beuka PDF

By Robert Beuka

ISBN-10: 1571133712

ISBN-13: 9781571133717

Fitzgerald's the nice Gatsby is broadly obvious because the integral 'great American novel,' and the broad physique of feedback at the paintings bears out its value in American letters. American Icon strains its reception and its canonical prestige in American literature, pop culture, and academic event. It starts through outlining the novel's serious reception from its ebook in 1925, to very combined stories, via Fitzgerald's dying, whilst it have been nearly forgotten. subsequent, it examines the posthumous revival of Fitzgerald experiences within the Nineteen Forties and its intensification via the recent Critics within the Fifties, targeting how and why the radical started to be thought of a masterpiece of yankee literature. It then strains the expansion of the 'industry' of Gatsby feedback within the resulting many years, stressing how critics of contemporary a long time have spread out research of the industrial, sexual, racial, and ancient elements of the textual content. the ultimate part discusses the larger-than-life prestige Gatsby has attained in American schooling and pop culture, suggesting that it has not just risen from the severe ash lots into which it used to be at the beginning discarded, but additionally that it has develop into a part of the cloth of yankee tradition in a fashion that few different works have.

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Extra resources for American Icon: Fitzgerald's the Great Gatsby in Critical and Cultural Context

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One of the handful of serious critical articles from the years between his death and the first stirrings of a revival of scholarly interest in Fitzgerald in the second half of the 1940s, reveals a lingering disdain for the period to which Fitzgerald seemed tethered for good: The work of F. Scott Fitzgerald reveals with extraordinary sharpness the essential differences between the major writer and the minor writer. He will no doubt be remembered in the years to come as the chronicler of the jazz age.

Lewis, Hemingway, and Dos Passos, the major novelists of the 1920’s, reveal to a greater or lesser degree signs of breaking out of the time limits of their age, limits within which Fitzgerald curls and snuggles in supercomfort” (372–73). As with most early Fitzgerald criticism, we eventually see ambivalence on the part of the critics, and one senses a desire by the end of this brief essay to break Fitzgerald out of the confines of “minor” writerdom. The Gurkos conclude the essay by claiming that “one senses within him the seeds of greatness which .

Indd 32 7/26/2011 4:58:52 PM A GREEN LIGHT  33 Troy’s “Scott Fitzgerald — the Authority of Failure,” which appeared in the Autumn 1945 issue of Accent. From the opening sentence of the essay, Troy makes clear the writing on which Fitzgerald’s chance for a lasting literary legacy will rely: “Of course, in any absolute sense, Scott Fitzgerald was not a failure at all; he has left one short novel, passages in several others, and a handful of short stories which stand as much chance of survival as anything of their kind produced in this country during the same period” (56).

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American Icon: Fitzgerald's the Great Gatsby in Critical and Cultural Context by Robert Beuka


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